Corrigan for not trying to intimidate me. But these are the very subjects his book should have addressed in greatest detail. Appendices include a list of common editorial symbols, a glossary, and an index. So those were pluses. The questions it gives to help people analyze a film would be useful to someone without any real experience with analyzing and writing about film, so I guess the book does just what it intends to do: These are all welcome and significant enhancements.
There is a lot of sound advice in the text, and the sample essays are particularly helpful. It is true that Corrigan tends to wax a bit loquacious, letting wordy and meandering discussion often obscure the really important things he has to say.
Third, the text is part film writing primer. For example, his discussions in the first and fourth chapters of different approaches to film criticism and of different kinds of essays about film are each limited to a few meager pages.
This is the task on which Corrigan should have limited himself, given the obvious desire to keep the book small, and this is the aspect of the book that works best.
So, for the time being at least, while this may be one of the best available books on writing essays about film, it has its share of problems.
Jon Two stars might be rather unfair to this book. My responses are mixed as well. But the book tries to do too many tasks at least three big ones and consequently, it does none of them as well as it could--or should. That led me to ending my review by including a section of how that movie entered my Flickchart, walking the reader through a series of head-to-head matches that allowed me to comment on the merits and how appealing they were of both films.
I feel that section gives the reader a whole lot more context for both the review and reviewer than is typically found in movie reviews. The book is divided into seven chapters: I still find it very interesting and relevant even after graduating and it will hold a place on fondness on my bookshelf.
After all, who was I kidding? Notable changes to the seventh edition include some helpful advice about documentary and avante-garde films, an expansion of the internet resource section, and more information about film sound.
It is thus almost as disappointing as it is helpful. This is the task on which Corrigan should have limited himself, given the obvious desire to keep the book small, and this is the aspect of the book that works best. But these are the very subjects his book should have addressed in greatest detail.
Sure to be of even more help for undergraduate students and the average reader interested in doing some more work in and around film and film studies. For example, his discussions in the first and fourth chapters of different approaches to film criticism and of different kinds of essays about film are each limited to a few meager pages.
Very interesting and informative, with good formalist essay examples and research tips.Timothy Corrigan, in the preface to "A Short Guide to Writing About Films, sixth edition," says, "Writing essays about films is, in short, one of the most sophisticated ways to respond to them."/5(5).
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Corrigan's approach is very enjoyable in his initial focus on the approach one makes to viewing a film, and how that really sets up the rest of your approach to writing an essay about films/5. Film terms as defined by Timothy J. Corrigan in Chapter 3 of A Short Guide to Writing about Film and Mr.
Rayes' handout. Writing About Film Timothy Corrigan, CS: film billsimas.com reviews or essays, plus a chapter or two from the Short Guide to Writing.October Timothy Corrigan. Timothy Corrigan's Short Guide to Writing about Film was actually a pleasent read- even outside of the classroom.
Good examples of classic film medias, great knowledge behind the statements presented.4/5(79).Download